TV Writing Workshop

Bring your idea and we’ll build your TV pilot, series and pitch deck.

In this class you’ll learn:

  • Scene and dialogue mechanics

    • Writing clear, purposeful scenes with subtext and stakes

    • Crafting authentic, distinctive dialogue and comedic timing

    • How to end a scene with a button joke or action event

  • Business and career skills

    • Writing professional query letters, loglines, and one-page pitches

    • Building a portfolio: spec scripts, pilot, and series bible

    • Networking, agents, managers, and navigating submission channels

  • Writers’ room practice

    • Collaborative storybreaking: idea generation, outlining, and group rewriting

    • Pitching scenes and notes, receiving and implementing feedback

  • Workshop and critique practices

    • Giving and receiving constructive feedback on scenes and scripts

    • Using peer review to refine voice and structure

    • Iterative development through staged readings and table reads

  • Story fundamentals and structure

    • How to build a scene, sequence, and episode using conflict, escalation, and payoff

    • Three-act, four-act, and serialized structures specific to television

    • Pacing across a 22–60 minute episode and series arc planning

  • Character creation and development

    • Writing distinct, active protagonists, antagonists, and supporting casts

    • Creating character wants, needs, and dramatic beats that drive plot

    • Character arcs across episodes and seasons

  • Voice, tone, and genre

    • Finding and sustaining a unique writer’s voice for comedy, drama, and procedurals.

    • Understanding the difference between comedy, drama and dramady/traumadys

  • Episode and series concepting

    • Developing loglines, synopses, and series bibles

    • Translating high-concept ideas into sustainable season plans

    • Creating show pitches geared to buyers and networks/streamers

Week 1


How to create characters that your audiences will want to binge with personalities that put pressure on each other to create a lasting series.

Week 2


The difference between a comedy, a dramady and a drama, and how to structure those on the page for the pilot.

Week 3


How to build out your series engine, what makes a lasting series, and how to repeat your pilot structure again and again.

Week 4


You’ll leave with the confidence to write a pitch deck that will sell your pilot. Or gets you hired on an existing series!

This class meets ONLINE

Mondays 6-8 pm starting April 13th for four weeks.

“Karin’s teaching method is simple and to the point.

She’s dedicated to making screenwriting make sense.”